Box 6
Contains 755 Results:
Prussian Court. (3). No.07. London Stereoscopic and Photographic Company. The International Exhibition, of 1862.
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.
Austrian Court. (7). No. 70. London Stereoscopic and Photographic Company. The International Exhibition, of 1862.
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.
Instantaneous View of the Building and Gardens. No. 4. London Stereoscopic & Photographic Company. John Grayson, No. 33. Dublin International Exhibition, 1860.
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.
Fountain in Majolica Ware. Modelled by Thomas. (Minton & Co.) No. 25. London Stereoscopic and Photographic Company. The International Exhibition, of 1862.
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.
The Nave, from the Western Dome. (2). No. 53. London Stereoscopic and Photographic Company. The International Exhibition, of 1862.
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.
The Sleep of Sorrow, the Dream of Joy, by R. Monti. No. 01. London Stereoscopic and Photographic Company. The International Exhibition, of 1862.
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.
Pulpit, from Belgium, Paris Exposition, 1867.
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.
The Nave, from the Western Dome. No. 2. London Stereoscopic and Photographic Company. The International Exhibition, of 1862.
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.
The Glass Court. (1). No. 41. London Stereoscopic and Photographic Company. The International Exhibition, of 1862.
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.
The Eiffel Tower and Celestial Globe, Paris Exposition, 1900. 10304. Edition De Luxe. Made in U.S.A. (Patented). J.J. Killelea & Company. New York and London. Copyright by M.C. White Co., 1991[?].
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.