Box 6
Contains 755 Results:
The Sleep of Sorrow, the Dream of Joy, by R. Monti. No. 01. London Stereoscopic and Photographic Company. The International Exhibition, of 1862.
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.
Pulpit, from Belgium, Paris Exposition, 1867.
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.
The Nave, from the Western Dome. No. 2. London Stereoscopic and Photographic Company. The International Exhibition, of 1862.
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.
The Glass Court. (1). No. 41. London Stereoscopic and Photographic Company. The International Exhibition, of 1862.
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.
The Eiffel Tower and Celestial Globe, Paris Exposition, 1900. 10304. Edition De Luxe. Made in U.S.A. (Patented). J.J. Killelea & Company. New York and London. Copyright by M.C. White Co., 1991[?].
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.
Saloon of the Trocadero, Paris Exposition, 1878. 2364. Entered according to act of Congress in the Office of the Librarian of Congress, at Washington. Photographed and Published by Kilburn Brothers, Littleton, N. H. Copyright by Kilburn Brothers, 1879.
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.
Interior of Liberal Arts Building, World’s Fair, Chicago. 8512. Photographed and Published by B.W. Kilburn, Littleton, N.H. Copyright by B.W. Kilburn, 1894.
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.
Magic splendor of electric blaze. Festival Hall and fountains in Basin, World’s Fair, St. Louis, USA. (54). Underwood & Underwood Publishers. Copyright by Underwood & Underwood, 1904.
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.
The Austrian Princess drawing room. Liberal Arts Building. Columbian Exposition. 8186. Photographed and Published by B.W. Kilburn, Littleton, N.H. Copyright by B.W. Kilburn, 1893.
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.
New York State Building, Columbian Exposition. 8056. Photographed and Published by B.W. Kilburn, Littleton, N.H. Copyright by B.W. Kilburn, 1893.
Many of the cards in this series are meant to be educational in nature. There are also some sets that are used for professional reasons. For example, the optometric community used stereographs to gauge vision and diagnose their patients.